Productions

Reviews are in for Double Delicious at Sydney Festival!

 

"...a lush and evocative series of skilfully narrated performances, tantalising all the senses whilst also delivering moments of real human connection." ★★★★1/2 Cara Anderson, Limelight Magazine.

"Double Delicious was a mouth-watering night of great food and banter. We had all come together as a community and experienced a real treat: some fun and heartfelt storytelling wrapped up in excellent food from diverse cultures. This show had been a satiating and satisfying experience- a flavourful blend of the best things about food and theatre. Yum!" ★★★★1/2 Natalie Salvo, The AU Review

"...deeply moving and gently provocative, turning focus to Australia’s multiculturalism and the way that notions of authenticity are shaped by our world." ★★★★ Ben Neutze, Time Out.

"...a thoroughly delightful celebration of a culinary coming of age." Reviews By Judith.

"Double Delicious really is a theatre experience for all the senses. Five wonderful storytellers take turns bringing to life a tale from their past, all while slicing, dicing and enticing." Alana Kaye, Theatre Now.

Double Delicious heads to Geelong Arts Centre 19-22 February and Abbotsford Convent 27 February - 1 March for Asia Topa. Don't miss out. Book your tickets today.

 

After a whirlwind national tour in 2019, In Between Two lands in Wollongong for the very first time thanks to Merrigong Theatre Company. Trailblazing artists Joel Ma (TZU’s Joelistics) and ARIA-nominated producer James Mangohig are icons of Australian hip-hop, but their family histories are as complex and layered as their lyrics. 

Beautifully enhanced by rare home movie footage, family photographs and original live music, In Between Two navigates the rich territory between two cultures, two generations and two musicians reaching their peak. Weaving together stories of mixed-race families, the songs of contemporary Australia, and the politics of belonging, this work is as potent as it is inspiring. In Between Two returns for a very limited season at IPAC's Bruce Gordon Theatre in Wollongong so book now to avoid disappointment!

23 - 25 JULY 2020

IPAC, BRUCE GORDON THEATRE

BOOK NOW

Carriageworks In Development presents

Double Delicious

Carriageworks and CAAP in association with Sydney Festival
present a Work in Development presentation of

Siti Rubiyah

 

PHOTO BY JAMIE JAMES

Siti Rubiyah is the first play by feminist horror filmmaker Katrina Irawati Graham (pictured), a contemporary Indonesian-Australian work inspired in part by Mochtar Lubis’s classic 1975 novel Harimau! Harimau! (Tiger!).

TOURING 2019

In Between Two

"This is a hip hop show unlike any other.  An Australian narrative challenging how you think, how you feel about society and its moral fibre."     ★★★★½ THE MUSIC

CARRIAGEWORKS and CAAP PRESENT

THE BACKSTORIES: MOYA DODD

"“a classic Australian story demonstrating the importance of our diversity…"    

 

IMAGE: SHANE REID

The first time Moya Dodd saw football on television at the age of 11, she was captivated.  At 19 she was selected for the Matildas and represented Australia for almost 10 years.  Appointed to the Executive Committee of international football association FIFA in 2013 until 2016, she was one of the first women to serve on the board in FIFA’s 108 year history.  In 2016 she was overall winner in AFR's Most Influential Women.  What's behind her remarkable success?

In The Backstories Moya Dodd takes us through three generations of her family – from the Chinese market garden her grandparents tended in Western Sydney to her rise through the ranks of world football.

Developed and directed by William Yang and Annette Shun Wah with original music composed and performed live by Gareth Chin, The Backstories provides a rare glimpse behind the public persona of Moya Dodd as she shares the experiences that have shaped her life.

The Backstories: Moya Dodd  was originally commissioned and presented by the Adelaide Festival.  It premiered in March 2017.

Fri 2 Feb -  8pm
Sat 3 Feb - 2pm* and 8pm

(*Includes post-show Q & A)

CARRIAGEWORKS
245 Wilson St, Eveleigh

Tickets $35/$20

 

Performance 4a and Griffin Theatre Company present

THE SERPENT'S TABLE

Combining storytelling, performance, theatrical installation and food, The Serpent's Table tantalises all the senses in the telling of stories straight from the heart.  This unique culinary and theatrical experience brings together a crack team of artists who deliver compelling stories about family, culture, loss, reconciliation and the sustainability. 

Adelaide Festival presents

The Backstories

Directed by William Yang and Annette Shun Wah

A rare glimpse behind the public personas of three of
Adelaide's most intriguing figures.

In their latest collaboration, William Yang and Annette Shun Wah direct three solo shows featuring high profile Asian Australians from South Australia.  Malaysian-born Cheong Liew moved to Adelaide in 1976 before becoming one of this country's most influential chefs.  Moya Dodd, born of a Chinese mother and Anglo-Australian father reached the pinnacle of elite sports in Australian women's soccer before her appointement to the executive committee of FIFA. Leaving his kampung in Malacca, Razak Mohammed became one of Adelaide's most flamboyant fashion designers and co-owner of the iconic Miss Gladys Sym Choon Emporium. Each storyteller performs two shows over six intimate evenings.

National Theatre of Parramatta and Performance 4a present

Who Speaks For Me?

“……one of the most heartwarming things on stage this year…Their stories remind the audience of the resilience at the heart of the refugee and migrant experience.”  ★★★★ timeout.com/sydney

Discover the unexpected stories of Western Sydney in this intimate multi-lingual, multi-generational storytelling show.

Through the personal narratives and photographs of three families from Cambodia, Vietnam and Bhutan
Who Speaks For Me? explores the vagaries of language – the powerlessness of those who do not have it,
the nuances lost in translation, and the sometimes hilarious consequences of misunderstanding it.